This body of work is underpinned by a sustained exploration of line, light, and colour, expressed through a close engagement with botanical forms. Working directly from plant specimens, Bev observes and translates the subtle structures found in stems, leaves, seed heads and petals, allowing these natural architectures to guide the development of each piece. Line operates as a primary language within the practice: it traces growth patterns, suggests movement, and reveals the internal rhythms that organise botanical life. These drawn or constructed lines become both descriptive and expressive, forming a bridge between observation and interpretation.
Light plays an equally important role, activating surfaces and creating spatial relationships that shift as the viewer moves around the work. The careful manipulation of transparency, shadow, and reflection, the pieces invite close looking and reward attention to detail. Light is not simply represented but used as a material presence that helps articulate structure and depth.
Colour is applied with sensitivity and restraint, often drawing on a palette reminiscent of Japanese aesthetic traditions. Muted greens, soft neutrals, and gentle tonal contrasts create a calm visual atmosphere while allowing form and structure to remain central. This considered use of colour supports the contemplative quality of the work and reinforces its connection to natural cycles and seasonal change.
A key aspect of the practice is the translation of botanical observation from two-dimensional studies into three-dimensional constructions. Through the use of varied materials and techniques, Bev delineates the lines, shapes, and textures inherent in each specimen, allowing them to evolve into spatial forms. The resulting works sit between drawing and object, observation and interpretation, offering a quiet but precise mediation on the structures that sustain plant life.
Tuesday – Sunday // 10.00 – 17.00